Friday, February 15, 2019

Ambiguity in Coovers Quenby and Ola, Swede and Carl :: Quenby and Ola, Swede and Carl Essays

Ambiguity in Coovers Quenby and olla, Swede and Carl Ambiguity occurs lots in writing, and readers often choose to fill in the blanks with facts, which are non from the text. By filling in spaces in the boloney, the reader creates a plot, which fits into their understanding. In Coovers Quenby and Ola, Swede and Carl, the plot is ambiguous. Many of these ambiguities are subtle and are slowly overlooked, leading the reader to make assumptions about the text. Simple words, phrases, or the verbiage leads the reader to a plot, which almost fits the text. As a reader, I was non satisfied that there was no definitive plot in which I could understand the story. I read the story several times and came up with three different realities none of them agreed completely with the text. My first goal of the story was that the story took place over the course of a week, and that every last(predicate) pieces of the story occurred. My second understanding was that the two provoke s cenes were both fantasies and that the opposite pieces took place over the course of the week. Finally, the last conclusion I displace was that everything had happened, but during different years. Each of these plots, which I created out of the storys ambiguity, is invalid if you take all of the text and dont disregard some textual evidence and language. then the ambiguity causes the reader to fill in blanks and disregard textual discrepancies. By filling in the blanks and creating an understanding for themselves, the reader is destroying the text. My understanding of the story after the initial reading was that all of the parts took place charm Ola was fourteen. I fit the pieces in order of dinner party (which leads to the living room), the story, the sex with Quenby, the sex with Ola, and Swede and Carl on a stagnant boat. In this plot, the story opens with all four people eating a bass dinner and then moving into the living room to sit in battlefront of the emp ty fireplace. Ola then proceeds to tell the story while Carl describes ... her flowering breasts under the orange shirt, her young hips packed snugly in last years bright white shorts, her soft girlish thighs, slender calves these were not Swedes (152).

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